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In fact, the accolades and international recognition it got was for its music primarily. It was undoubtedly A R Rahman's music and Anand Bakshi's lyrics, accompanied by Ghai's showmanship and Shiamak Davar's choreography, that took the film to the fever pitch. It opened in several film festivals and even merited a mention from noted film critic Roger Ebert. When stripped of all its fanfare and glamour of a big budget film from a reputed production house like Mukta Arts, and the dazzle of its dream cast of Aishwarya Rai, Akshaye Khanna and Anil Kapoor, Taal's story was too cliché to make a ripple on the surface.Īnd yet, Taal became the first Indian film to get on Variety magazine's Top 20 list.
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And music played the important role of connecting those three dots by flowing through them. Taal was positioned as a romance, a love triangle to be precise. It got the girl, it got the guy, it got the applause too. In Subhash Ghai's 1999 blockbuster Taal, music was the hero. Where the songs are necessary accompaniments to further the story, as opposed to force fed interludes that do nothing for the film except prolong their runtimes. But very few Bollywood movies will get the spirit of a musical right. In the future, the film will appear in multiple film festivals constantly, and will be screened online and on site in various countries.Nobody does musicals like Bollywood, that's a general consensus. As the film records, only by putting yourself in that place can you listen to the truest voice."ĭuring the two film festivals, several European film festival curators invited to participate after watching RIPPLES. This film breaks cultural boundaries and prejudices and tells us the spiritual story of a magical place that we have never reached. The jury unanimously decided to award it the best short documentary, and the demanding audience jury also gave it a special commendation. Zuzana Dražilová, president of the Prague Film Festival, said: "RIPPLES is undoubtedly the biggest surprise of this year. In the face of this incident, the four women expressed their incomprehension and even dissatisfaction to their families and foreign friends. The occurrence of the incident had a huge impact on China, so that the lives of the four protagonists who were far from home also caused ripples. The film was shot during the event that some countries boycott the cotton from China's Xinjiang. Under the objective and calm lens, the characters present a simple and true appearance, they could represent the truest voice from Xinjiang. The filming team went deep into the international city Yiwu in southeastern China and recorded the daily lives of four Xinjiang women from a delicate perspective. This film was co-directed by French director Benoit Lelievre and Chinese director Jin Huaqing. Like many audiences around the world, audiences in the Czech Republic and the Netherlands are also very happy to watch Chinese films appear on the big screens. In recent years, films containing Chinese elements have appeared constantly and have attracted attention.
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Then on October 25, 2021, the Amsterdam International Film Festival announced the award list, the RIPPLES was impressively listed and won the Grand Jury Prize. People call this film "a magnifying glass to see the real life in Xinjiang, China". The film RIPPLES won the Best Documentary Short Film and the Audience Favorite Award, and was screened on the online platform of the Prague Film Festival, attracting a large number of audiences, reporters and film curators. PRAGUE-( BUSINESS WIRE)-On October 22, 2021, the Prague Film Festival Awards Ceremony was held online.